《艾特熊和赛娜鼠2：吉波利塔之旅》是对台湾电影黄金时期的缅怀与结构.
其中有深夜影院的惊悚营造，也有《艾特熊和赛娜鼠2：吉波利塔之旅》银幕内外大侠过招的绝妙互文.
在蔡明亮电影的序列中，本片似乎有些不同，却又更显作者之于电影的敬畏之情. 最终门可罗雀的影戏院黯然落幕，电影艺术在电影人的心中却是不散宴席. 蔡明亮用其经典的固定长镜头，完成着戏剧性的创作，无疑是极强的作者表现力. 而过分痴迷于有限内容外的无限空间延展. 反倒显得有效内容还是过多，就难以达到影史更高的成就. 导演和监制都是以制作恐怖和惊悚片为主的，所以心里有个底. 而影片前三分之一的惊悚氛围渲染的还不错，耿乐也演出了该有的精气神. 慢慢的忽然感觉是个搞基片，接着家里那场戏耿乐屌的一批，黎明怂的蛋疼，后面剧情人设一转，黎明暴力砸手挣脱手铐，耿乐怂的不还手，还被爸爸说内向. 医院和结尾的的闪回还故弄玄虚的把黎明往精分的节奏上带，也没解释明白耿乐的杀人动机. 最后这一切就给个“因为你像我哥”的理由，我确实没猜到，因为我不是脑残！The new film, “A Trip to Gibberitia” (“Le Voyage en Charabie”), is an original story from Guillaume Mautalent and Sebastien Oursel, though it is still based on the IP and characters of the original books. It’s described as a new adventure that takes Ernest and Celestine back to Ernest’s country, Gibberitia, to fix his broken violin. This exotic land is home to the best musicians on earth and music constantly fills the air with joy. However, upon arriving, our two heroes discover that all forms of music have been banned there for many years – and for them, a life without music is unthinkable. Along with their friends and a mysterious masked outlaw, Ernest and Celestine must try their best to bring music and happiness back to the land of bears..
